For computers with less than ideal horse power, extremely low latency at the expense of a project that doesn’t playback properly is no real solution. If our system can’t keep up we are going to get a lot of issues on playback, from clicks and pops in our audio to our session completely crashing mid song. Logically, the more our computer is working to reduce latency the more processing power it’s going to need to access. Why don’t we just always leave this set to the lowest possible buffer setting? Because we really have to work within the parameters that our individual system is going to allow. The general idea is that the lower the buffer setting, the less latency we are going to experience (we can see confirmation of this where it says ‘Resulting Latency’). Here we have a few options to choose from in the drop down menu appropriately labelled ‘I/O Buffer Size’. We can access these settings under Preferences > Audio > Devices. The first thing we want to look at before we start recording are our I/O buffer settings within Logic. In this article I will highlight a few key tips to keep in mind. Add a second tap, pan it all the way to the right, and change the timing of it slightly from the first.For guitar players, when we plug into an amp simulator this can be especially frustrating if we are used to the feel and response of a real amplifier. Fortunately, Logic Pro X offers a number of different options for dealing with latency. To make a ping-pong effect that Glenn shows here, pan the first tap to the left using the panner within the plugin. One of ReaDelay’s coolest features is the ability to add taps for a ping-pong effect.Ī tap is essentially another delay within a single plugin. If you notice the instrument get louder with delay applied, that means you’ll need to pull down the dry signal level in the plugin! Now you can start adjusting the settings to taste. With ReaDelay loaded on a fresh track, use a pre-fader send to apply delay on the selected instrument. When the plugin opens you’ll notice wet and dry controls on the left hand side of the window, as well as parameters like length of time in milliseconds, length of time in note values, feedback, high and low pass filters, and stereo width. In this example, Glenn demonstrates how to use a mono delay to make a stereo ping-pong effect. The first thing you’ll want to do is create a new track and load an instance of ReaDelay on it. Glenn loves it on vocals and lead guitar because it’s dead simple to use and sounds great. In this lesson, Glenn shows you how to use Reaper’s proprietary delay plugin! ReaDelay is an incredible plugin that comes with Reaper. His unique approach, personality, and skills have garnered him a worldwide following of over three hundred thousand! He tends to reject modern recording crutches like pitch correction, over-mastering, and time alignment. Over the last 20 years, Glenn has worked with artists from all over the world in a variety of genres, from death metal to pop punk.Ĭurrently residing in his second self-built studio, Glenn places an emphasis on human performance and live drums. Glenn has been professionally recording since 1997, and in 2004 he won “Album of The Year” in Unrestrained Magazine. Glenn Fricker is one of YouTube’s most well known audio engineers and educators, with millions and millions of views on his recording and mixing tutorials.
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